{"id":1365,"date":"2021-12-19T12:47:56","date_gmt":"2021-12-19T10:47:56","guid":{"rendered":"https:\/\/atalak.dantzaz.eus\/producciones-2019\/"},"modified":"2022-01-19T10:56:44","modified_gmt":"2022-01-19T08:56:44","slug":"productions-2019","status":"publish","type":"page","link":"https:\/\/atalak.dantzaz.eus\/fr\/productions-2019\/","title":{"rendered":"Productions 2019"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none ancho\"><img decoding=\"async\" width=\"1709\" height=\"699\" title=\"OLYMPUS DIGITAL CAMERA\" src=\"https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada.jpg\" class=\"img-responsive wp-image-1199\" srcset=\"https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada-200x82.jpg 200w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada-400x164.jpg 400w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada-600x245.jpg 600w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada-800x327.jpg 800w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada-1200x491.jpg 1200w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak-produccion-portada.jpg 1709w\" sizes=\"(max-width: 1024px) 100vw, 1709px\" \/><\/span><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:35px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one tituloh1 debajo\" style=\"font-size:48px;margin-top:0px;margin-right:0px;margin-bottom:31px;margin-left:0px;\"><h1 class=\"title-heading-center\" style=\"margin:0;font-size:1em;color:#000000;line-height:1;\">Produire pour tourner et rencontrer le monde<\/h1><\/div><div class=\"fusion-text fusion-text-1 texto-grande\"><p>Le R\u00e9seau Atalak se concentre sur la cr\u00e9ation chor\u00e9graphique, dans laquelle les chor\u00e9graphes s\u00e9lectionn\u00e9s trouvent un espace pour exp\u00e9rimenter, rechercher et rencontrer de nouveaux d\u00e9fis.<\/p>\n<p>Les productions d&rsquo;Atalak auront \u00e9galement un accompagnement, cette fois en collaboration avec Azala (Idoia Zabaleta et Dantzaz) avec l&rsquo;exp\u00e9rience de cette artiste et professionnel de la danse en ce qui concerne l&rsquo;analyse et la r\u00e9flexion de la pratique chor\u00e9graphique.<\/p>\n<p>La s\u00e9lection et le suivi des artistes accueillis dans la r\u00e9sidence de production sont g\u00e9r\u00e9s par l&rsquo;\u00e9quipe Atalak, qui suit continuellement la r\u00e9alit\u00e9 chor\u00e9graphique sur le territoire. Une fois r\u00e9alis\u00e9e une premi\u00e8re s\u00e9lection, en accord avec des entit\u00e9s du R\u00e9seau Atalak, toujours en tenant compte des param\u00e8tres suivants : trajectoire de l&rsquo;artiste, productions ant\u00e9rieures, contact avec le R\u00e9seau Atalak et affinit\u00e9 pour la cr\u00e9ation de groupe.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top: 35px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-two tituloh2\" style=\"margin-top:0px;margin-right:0px;margin-bottom:31px;margin-left:0px;\"><h2 class=\"title-heading-center\" style=\"margin:0;\">Production 2019<\/h2><\/div><div class=\"fusion-text fusion-text-2\">\n<div class=\"lab-list\">\n\n    <div class=\"lab-full clearfix\" id=\"walls\">         \n        <div class=\"lab-image\"> \n         \t<img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls-66x66.png 66w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls-150x150.png 150w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls-200x200.png 200w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls-300x300.png 300w, https:\/\/atalak.dantzaz.eus\/wp-content\/uploads\/2021\/11\/atalak_martin_Harriague_produccion_walls.png 306w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>       \n\t\t\t\n                 <\/div> \n\n      \n\n        <div class=\"lab-content\">\n         <div class=\"lab-intro\">\n           <h3 class=\"persona\">WALLS<\/h3>\n           <span class=\"tipo\">R\u00c9SIDENCE DE PRODUCTION<\/span>\n           <span class=\"periodo\"><\/span>\n           <span class=\"separacion\"><\/span>\n        <\/div>\n\n           \n           \n                     \n\n           <div class=\"contenido\"><p><span style=\"font-weight: 400;\">\u00ab\u00a0Walls\u00a0\u00bb est la premi\u00e8re production ATALAK 2.0 fortement soutenue par Dantzaz, le Ballet CCN-Malandain de Biarritz, la Fundaci\u00f3n Baluarte, el Gobierno de Navarra y Gipuzkoako Dantzagunea.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Harriague a travaill\u00e9 pendant cinq ans dans une entreprise en Isra\u00ebl et a pu vivre \u00e0 la premi\u00e8re personne comment le monde se ferme en \u00e9rigeant des murs. Le mur que nous montre Harriague articule l&rsquo;espace et le divise, brise le paysage et humilie les gens. La libert\u00e9 et la fluidit\u00e9 du mouvement se heurtent \u00e0 la duret\u00e9 de la pierre, r\u00e9v\u00e9lant toute la violence physique et symbolique du mur. Mais m\u00eame derri\u00e8re huit m\u00e8tres de b\u00e9ton, il n&rsquo;y a pas de r\u00e9signation. Le jeu, l&rsquo;humour et l&rsquo;exaltation que donne la soif de libert\u00e9 nous sauvent du d\u00e9sespoir.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab\u00a0Il est d\u00e9risoire de s&rsquo;isoler, physiquement ou symboliquement, derri\u00e8re un mur : le mur de Martin Harriague bouge, titube, est fragile ; le mur est un fronton, un refuge, un espace de jeu ; le mur exalte la soif de libert\u00e9\u00a0\u00bb.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>Dur\u00e9e: <\/i><\/b><i><span style=\"font-weight: 400;\">35 &lsquo;<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Chor\u00e9graphie:<\/i><\/b><i><span style=\"font-weight: 400;\"> Martin Harriague<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Musiques<\/i><\/b><i><span style=\"font-weight: 400;\">: J.S. Bach, G. Verdi, Yemen Blues, Jos\u00e9 Alfredo Jim\u00e9nez<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><i><span style=\"font-weight: 400;\">(voces D. Trump y A.M. Lopez Obrador tomadas de discursos p\u00fablicos v\u00eda web)<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Illumination, scenography, costumes, samplings et ambiance sonore: <\/i><\/b><i><span style=\"font-weight: 400;\">Martin Harriague<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Assistant Illumination:<\/i><\/b><i><span style=\"font-weight: 400;\"> Alberto Arizaga<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Assistante Costumes<\/i><\/b><i><span style=\"font-weight: 400;\">: Nahia Salaberria<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Sc\u00e9nographie et Atrezzo:<\/i><\/b><i><span style=\"font-weight: 400;\"> Martin Harriague\/Dantzaz<\/span><\/i><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><b><i>Menuiserie:<\/i><\/b><i><span style=\"font-weight: 400;\"> KITTO<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">Pi\u00e8ce coproduite avec le programme euror\u00e9gional ATALAK\u00a0<\/span><\/i><\/p>\n<\/div>\n\n             \n              <div class=\"bio\"><span>BIO<\/span>\n              <p><span style=\"font-weight: 400;\">N\u00e9 en 1986 \u00e0 Bayonne, Martin Harriague a commenc\u00e9 la danse classique et contemporaine \u00e0 l&rsquo;\u00e2ge de 19 ans. Il a rejoint Dantzaz en 2007, le Ballet National de Marseille (France) en 2008, et a dans\u00e9 avec Noord Nederlandse Dans (Pays-Bas) de 2010 \u00e0 2013. Plus tard, il a rejoint la Compagnie de danse contemporaine du kibboutz (Isra\u00ebl) en septembre 2013 et y est rest\u00e9 jusqu&rsquo;\u00e0 la fin de 2018. Actuellement, il est chor\u00e9graphe ind\u00e9pendant et artiste en r\u00e9sidence au Ballet Malandain de Biarritz. En tant qu&rsquo;interpr\u00e8te, Harriague a travaill\u00e9 avec Itzik Galili, Thierry Malandain, Emmanuel Gat, Roy Assaf, Rami Be&rsquo;er, Keren Levi, Stephen Shropshire, Frederic Flamand, Thomas Noone et Reut Shemesh.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Parall\u00e8lement \u00e0 sa carri\u00e8re de danseur, Harriague cr\u00e9e des chor\u00e9graphies et compose de la musique. Son travail a \u00e9t\u00e9 r\u00e9compens\u00e9 par des prix internationaux dans divers concours tels que ceux de Stuttgart, Hanovre et Copenhague. Harriague a cr\u00e9\u00e9 pour le Malandain Ballet Biarritz, l&rsquo;Op\u00e9ra de Leipzig, le Scapino Ballet Rotterdam, la Compagnie de danse contemporaine du Kibboutz, l&rsquo;Op\u00e9ra de Metz, le Project Sally in Holland et Dantzaz (en collaboration avec EGO, le jeune orchestre d&rsquo;Euskadi, il a cr\u00e9\u00e9 \u00ab\u00a0Esclavos Felices\u00a0\u00bb en 2018).\u00a0<\/span><\/p>\n<\/span><\/div>\n                      \n          <\/div>\n        <\/div>\n            \n  <\/div>\n\t\n\n\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 videos nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:15px;padding-right:0px;padding-bottom:35px;padding-left:0px;margin-bottom: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three tituloh3\" style=\"margin-top:0px;margin-right:0px;margin-bottom:31px;margin-left:0px;\"><h3 class=\"title-heading-center\" style=\"margin:0;\">R\u00c9SIDENCE PRODUCTION 2019: Martin Harriague<\/h3><\/div><div class=\"fusion-video fusion-vimeo fusion-aligncenter video-vimeo\" style=\"max-width:920px;max-height:575px; width:100%\"><div class=\"video-shortcode\"><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/385975514?autoplay=0&amp;title=0&amp;byline=0&amp;portrait=0&amp;rel=0&amp;color=ffffff&autopause=0\" width=\"920\" height=\"575\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-1365","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/pages\/1365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/comments?post=1365"}],"version-history":[{"count":4,"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/pages\/1365\/revisions"}],"predecessor-version":[{"id":1391,"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/pages\/1365\/revisions\/1391"}],"wp:attachment":[{"href":"https:\/\/atalak.dantzaz.eus\/fr\/wp-json\/wp\/v2\/media?parent=1365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}